| Author/Title |
Research Type |
Related Fields |
| Yomi Braester, James Tweedie, eds. Cinema at the City’s Edge: Film and Urban Networks in East Asia. Hong Kong University Press: 2010. |
Publications, Books |
East Asian, Film/Cinema |
| Yomi Braester. Painting the City Red: Chinese Cinema and the Urban Contract. Duke University Press: 2010. |
Publications, Books |
Chinese, Film/Cinema |
| Yomi Braester. Witness against History: Literature, Film and Public Discourse in Twentieth-Century China. Stanford University Press: 2003. |
Publications, Books |
20th Century, Culture, Drama, East Asian, Film/Cinema, Literary Criticism, Literature |
| “Making a Case for the Priority of the A Version of Piers Plowman” (forthcoming in MLA volume on Teaching Piers Plowman, edited by Thomas Goodmann) |
Publications, Essays |
English, Literature, Medieval |
| “Virtuous Viewing” Film Criticism, 46:1 (June 2022) |
Publications, Articles |
Media Studies, Popular Culture, Race and Ethnicity, Television |
| “Visual Poetry and the Poetics of Data Visualization.” Journal of English Language and Literature 63.4 (2017): 659-74. |
Publications, Essays |
20th Century, Digital Humanities, Literary Criticism, Poetry and Poetics |
| “Where Is Wille Buried? Piers Plowman A 12.105.” The Yearbook of Langland Studies 26 (2012): 131-36. |
Publications, Essays |
English, Literature, Medieval, Textual Studies |
| Choi, Sarah. "Life, Death, or Something in between: Photographic Taxidermy in “Get out”(2017)." Quarterly Review of Film and Video (2021): https://doi.org/10.1080/10509208.2021.1888606. |
Publications, Essays |
21st Century, African American, Film/Cinema, Philosophy, Photography, Race and Ethnicity, Social Justice, Visual Arts, Visual Culture |
